PENCAK SILAT INDONESIA
Silat (Minangkabau: silek) is a collective
word for indigenous martial arts from a geo-cultural area of Southeast Asia encompassing
most of theNusantara.
Originally developed in what are now Indonesia, peninsular Malaysia, south Thailand,
and Singapore,
it is also traditionally practiced in Brunei, Vietnam and
the southern Philippines. There are hundreds of different styles but they
tend to focus either on strikes, joint manipulation, throws, bladed weaponry,
or some combination thereof. Silat is one of the sports included in the Southeast Asian Games and other
region-wide competitions. Training halls are overseen by separate national
organizations in each of the main countries the art is practiced. These are Ikatan
Pencak Silat Indonesia (IPSI) from Indonesia, Persekutuan
Silat Kebangsaan Malaysia (PESAKA) from Malaysia, Persekutuan
Silat Brunei Darussalam (PERSIB) from Brunei and Persekutuan
Silat Singapura (PERSISI) from Singapore.
Practitioners are called pesilat.
While the word silat is
used by Malay-speakers throughout Southeast Asia, the art is more often called pencak silat in
the modern Indonesian language. Systems that were created
on the Southeast Asian
mainland are grouped in the category of silat Melayu,
in reference to the Malay Peninsula. The oldest of these originated in what are
now northern Malaysia, Thailand and southern Vietnam.
Silat as practiced in Brunei is also grouped in the same category for historic
reasons. Generally speaking, silat Melayu is characterized by fixed hand
positions and today is often thought of as a slow dance-like art among
non-practitioners. In Indonesia, pencak silat displays greater diversity and
its use of high kicks, jumps and agile maneuvers are comparatively more well
known among the public. While this generalization does not necessarily reflect
the reality of silat's techniques, it has had a notable influence on the
stereotypical way silat is portrayed in Malaysia and Singapore.
The History
Fighting arts in the Indonesian and Malay Archipelago arose out of hunting methods and
military training by the region's native inhabitants. The descendents of former
headhunters still perform ancient wardances which are considered the precursor
of the freestyle form in silat. While these aborigines retained their
tribal way of life, the Indo-Malay diaspora instead based their culture on
India and China. By adopting the Indian faiths of Hinduism and Buddhism, their
social structure became more organised. Evidence shows that silat was
influenced by both Indian and Chinese martial
arts.
Many of the region's medicinal practices and weapons originated in either
India or China, and silat's thigh-slapping actions are reminiscent of Hindu wrestling. The martial arts practiced by the
Chinese community of Southeast Asia are referred to as kuntao.
Although a number of myths attempt to explain the
institutionalisation of silat, most of them concern only a specific style. The
earliest evidence of silat taught in its present form is found inSumatra where, according to local legend, a
woman based her combat system on the movements of animals that she had seen
fighting. Masters still believe
that the first styles of silat were created by observing animals, and these
styles were probably derived from animal-based Indian martial arts. In the 5th
or 6th century, pre-determined
sets are said to have
been introduced by the Mahayana Buddhist
monk Bodhidharma who
came from India to Southeast Asia via the Sumatra-based kingdom of Srivijaya in Palembang. Through this connection, silat is also
used as a method of spiritual training in addition to self-defense. Silat was
and in some cases still is used by the defense forces of various Southeast
Asian kingdoms and states in what are now Indonesia, Malaysia, Singapore, Thailand and Brunei. Despite the Hindu caste system which
held sway in ancient times, silat was never confined to any particular social
class or gender but was practiced by all without restrictions. Even today, it is often taught in
families who have inherited cultural traditions such as woodcarving, dance,
herbalism or the playing of musical instruments.
Balinese silat guru
Southeast Asian trade had already extended into Okinawa and Japan by the 15th century. The
number of Japanese people travelling the region increased after the Battle of
Sekigahara. By the early 17th century there were small Japanese
communities living and trading in Indochina.
Some arrived with the official red seal ships while others were warriors and
pirates from the losing side of the Sekigahara war. Although mostly confined to Siam,
some Japanese escaped to Cambodia and Indonesia after the Ayutthaya Kingdom was attacked by the
Burmese. Silat shares many similarities withOkinawan karate as well as the throws and stances of
weapon-based Japanese martial
arts
which probably date back to this time. Trade with Japan ended when the
country went into self-imposed
isolation but resumed
during the Meiji era, during which time certain areas of
Indonesia, Malaysia and Singapore became home to a small Japanese population.
After the Occupation of
Japan, some silat masters incorporated the katana into their styles.
Since the Islamisation movement of the 1980s and 90s, there have been
attempts to make silat more compliant with Islamic principles. It is now illegal for Muslim
practitioners in Malaysia to chant mantera,
bow to idols, practice traditional meditation, or attempt to acquire supernatural
powers. This has given rise to
various misconceptions that silat is inherently Muslim or can only be practiced by followers
of the Islamic faith. In
actuality silat has existed long before Islam was introduced to Southeast Asia
and is still practiced by non-Muslims. The Hindu-Buddhist andanimistic roots of the art were never
eradicated, and remain very evident even among Muslim practitioners of
traditional styles. Some of these old methods have been lost after silat
masters in pre-dominantly Muslim areas could no longer teach them, but others
still endure among conservative training schools in Indonesia and Thailand.
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